Virtual instruments
Synthesisers, samplers and hybrid instruments with their own sound engines, modulation systems and preset browsers.
We design and develop custom audio plugins: instruments, effects and MIDI tools that load in every major DAW, sound right on the first preset and stay light at any buffer size.
A plugin lives or dies in the session. It has to sound good, open fast, never glitch and make sense to someone who has not read the manual. We are producers and engineers, so we test the way your users will work: inside real projects, on real deadlines.
Synthesisers, samplers and hybrid instruments with their own sound engines, modulation systems and preset browsers.
Dynamics, EQ, saturation, delay, reverb and creative multi-effects, with clean, low-latency DSP that holds up on a full mix.
Arpeggiators, chord and pattern generators, MIDI mappers and utilities for controllers and live performance.
Resizable, high-DPI interfaces with clear metering and visual feedback, so sound is easy to read and quick to shape.
Moving an existing plugin to new formats, Apple silicon or a modern framework, without changing how it sounds.
Code signing, notarisation, installers, licence activation and update flows, so the plugin is a product, not just a build.
A short call to understand what people should hear, see and feel, and what success looks like for you.
The core idea built first, rough but real, so you can hear it and try it early and decide with confidence.
Engineering for the real world: performance, stability, every target platform and the polish people notice.
Release, installers or on-site setup, a clean handover and support after launch.
VST3, AU, AAX and CLAP, plus standalone versions of the same plugin, for Windows, macOS (including Apple silicon) and Linux where it is needed.
Yes. Bring a sketch, a reference sound, a patch from a visual programming tool or an old plugin. We turn it into a clear specification, prototype the sound first so you can hear it early, then build the full product.
Yes. Sound engine, interface and presets are designed together, so the controls match what the sound is actually doing.
It depends on the scope. A focused effect is much quicker than an instrument with a full preset library. After a short scoping call we give you a timeline and milestones you can hear and test.
Yes. We work remotely with teams anywhere and plan calls around your time zone.
Share a few lines about the idea, the timeline and where it will live. The founder reads every message and replies personally.